10 Best Rock Songs With The Word 'People' In The Title (2024)

If you’re a traveler who’s explored this world, one of the things you may have discovered is that people are the same everywhere you go. While cultures can be dramatically different and religions, politics, and economics can vary significantly, in the end, people all want the same things: to raise families, protect their children, live, breathe, and just try to enjoy life. Depending on where you live, that journey can be either easy or tough, but the core desires remain constant. The songs on this list reflect these universal experiences, highlighting the emotions that bind us together—whether it’s unity, resilience, loneliness, or acceptance.

From the haunting introspection of The Doors’ “People Are Strange” to the hopeful optimism of America’s “Lonely People,” each track tells its own story while connecting to a larger theme of what it means to be human. Sly & The Family Stone’s “Everyday People” stands as an iconic anthem of equality and inclusivity, reminding us that our differences should be celebrated rather than feared. Similarly, Robert Palmer’s “Every Kinda People” and The Rascals’ “People Got To Be Free” emphasize unity and the importance of acceptance in a world that often divides us. Randy Newman’s “Short People” takes a satirical approach, using humor to shed light on the absurdity of prejudice, while America’s “Lonely People” offers a message of perseverance in the face of isolation.

Jeff Beck & Rod Stewart’s rendition of “People Get Ready” provides a powerful and moving conclusion to this collection. Their collaboration brings together two musical legends at the height of their craft, delivering a deeply emotional performance that captures the spirit of hope and redemption. Watching Stewart embrace Beck in the music video adds an extra layer of poignancy, making it a fitting end to this journey through songs that celebrate, question, and explore the meaning of ‘people.’ Writing this list has been a joy, as these ten songs capture the essence of the human experience—filled with beauty, struggle, and ultimately, the power of connection.

# 10 – Po-Jama People – Frank Zappa

We open our brand-new list of the 10 Best Rock Songs With the Word ‘People’ in the Title with Frank Zappa’s “Po-Jama People.” This track, from One Size Fits All, the fourteenth album by The Mothers of Invention and Zappa’s twentieth album overall, was released in June 1975. The album reached #26 on the Billboard Top LPs & Tape chart in the United States in August 1975. “Po-Jama People” is a striking example of Zappa’s eclectic style, blending humor, satire, and impressive musicianship in a track that pokes fun at the mundanity of ordinary life.

One Size Fits All was recorded with the summer/fall 1974 lineup of The Mothers of Invention, featuring Frank Zappa on guitar and lead vocals, George Duke on keyboards and synthesizers, Napoleon Murphy Brock on flute and saxophone, Ruth Underwood on marimba and percussion, Chester Thompson on drums, and Tom Fowler on bass guitar. The production of the album reflects Zappa’s meticulous attention to detail, with all the musicians contributing to its complex, layered sound. “Po-Jama People” benefits from this lineup’s synergy, as each musician’s contributions create an intricate yet accessible piece that showcases the band’s skill.

Lyrically, “Po-Jama People” is a witty critique of those who lead mundane, uninspired lives. Zappa uses humor to describe the titular “po-jama people,” individuals who lack imagination and seem content with their predictable routines. Lines like “The pyjama people are boring me to pieces / Feel like I am wasting my time” convey Zappa’s disdain for complacency, while the playful imagery of “flannel up ‘n down ’em” and “a little trap-door back aroun’ ’em” adds a lighthearted yet biting edge. The repetition of the chorus, “Po-jama people, people! / Wrap ’em up, roll ’em out, get ’em out of my way,” emphasizes Zappa’s frustration with those who conform rather than think critically or creatively.

Musically, “Po-Jama People” features a piano-driven arrangement paired with soulful basslines and intricate percussion, reflecting the classic Zappa approach of blending rock, jazz, and funk elements. The vocals, both lead and backing, add a layer of playful irreverence, enhancing the song’s satirical nature. The use of humorous vocal effects, such as the repeated “HOEY! HOEY! HOEY!”, and the saxophone and marimba interplay, give the song a unique character that makes it both memorable and thought-provoking.

“Po-Jama People” serves as an ideal opening track for this list because it encapsulates Zappa’s distinctive blend of musical innovation, biting social commentary, and humor. As the list progresses, we’ll continue to explore songs that capture the complexity of the human condition, starting with Zappa’s incisive take on the mundane lives of the “po-jama people.” The song’s lyrical content and Zappa’s signature musical style make it a perfect introduction to the theme of ‘people’ in rock music, setting the stage for what’s to come.

Read More: A Method in Exploring the Frank Zappa Album’s Catalog

# 9 – People In The Way – Maria McKee

The next song on our list of the 10 Best Rock Songs With the Word ‘People’ in the Title is “People In The Way” by Maria McKee. The track is from her sixth studio album, Peddlin’ Dreams, released in 2005. This album, produced by Maria McKee herself alongside Jim Akin, features a mix of acoustic and electric instrumentation, blending elements of rock, folk, and country. The recording involved Maria McKee on acoustic and electric guitar, piano, and vocals, Jim Akin on electric guitar, bass, double bass, keyboards, and steel guitar, Jerry Andrews on acoustic and electric guitar, and Tom Dunne on percussion. The album was recorded in various locations in Los Angeles.

“People In The Way” is a reflective track that delves into themes of disillusionment and resilience. The lyrics capture a sense of weariness and a struggle to find meaning in a world that often feels indifferent. The opening lines—”It’s a shame about your sister / She looks older than God / I guess the prom king missed her / And she gave up the cause”—set a tone of bittersweet reflection, painting a picture of someone who has faced disappointments and challenges. The chorus—”Ma, tell your kids every day / We’re all just people in the way”—suggests a resigned acceptance of life’s obstacles, recognizing that everyone is trying to navigate their own path, often feeling out of place or in the way.

The lyrics of “People In The Way” highlight the struggles of life and the difficulty of finding one’s place. McKee’s vocal delivery captures the vulnerability and determination inherent in the lyrics, with lines like “And I used to dream pretty / Now, I dream I’m alive” reflecting the shift from youthful idealism to a more grounded, perhaps jaded, perspective. This shift conveys the journey of growing older and facing life’s harsh realities.

Compared to Frank Zappa’s “Po-Jama People,” which uses humor and satire to critique the mundane aspects of human behavior, Maria McKee’s “People In The Way” takes a more introspective approach, focusing on the emotional toll of life’s struggles. Both songs address the challenges of navigating the human condition, but McKee’s track is more personal, drawing on her own experiences and emotions. The raw, confessional nature of “People In The Way” makes it a standout on Peddlin’ Dreams and a worthy addition to this list, offering a heartfelt exploration of the complexities of life and the feeling of being out of place.

Read More: 10 Maria McKee Songs That Will Leave You Mesmerized

# 8 – We Are The People – John Mellencamp

John Mellencamp’s “We Are The People” delivers a powerful message of unity and resilience, standing out as a highlight from his album The Lonesome Jubilee, released on August 24, 1987, by Mercury Records. Produced by Mellencamp and Don Gehman, the album achieved widespread success, charting in ten countries and reaching the top of Canada’s RPM Top Albums chart. Recorded at Belmont Mall Studio in Indiana, the album reflects Mellencamp’s signature heartland rock style, incorporating folk and Americana influences.

“We Are The People” captures Mellencamp’s social consciousness, focusing on themes of empathy and solidarity. The lyrics, such as “If you’re feeling shut down / May my thoughts be with you” and “We are the people / And we live forever,” convey a deep sense of interconnectedness and the importance of standing together in challenging times. Mellencamp addresses different groups of people—those struggling, the homeless, and even leaders—urging them to embrace empathy and unity. The repeated refrain, “We are the people,” serves as a rallying cry, emphasizing the collective power of individuals to effect change.

The instrumentation on “We Are The People” reflects Mellencamp’s roots-rock aesthetic, with a blend of acoustic and electric guitars, driving rhythms, and the use of fiddle and accordion that gives the track a distinct Americana feel. The musicians involved in the recording include Mellencamp on vocals and guitar, Larry Crane and Mike Wanchic on guitars, Kenny Aronoff on drums, John Cascella on keyboards and accordion, Toby Myers on bass, and Lisa Germano on fiddle. The instrumentation supports the song’s anthemic quality, enhancing the sense of unity and resilience conveyed in the lyrics.

Compared to Maria McKee’s “People In The Way,” which takes an introspective approach to personal struggles, Mellencamp’s “We Are The People” adopts a broader perspective, focusing on societal issues and the need for collective empathy. While McKee’s song is more intimate, highlighting the individual experience of feeling out of place, Mellencamp’s track serves as a rallying cry for unity and strength in the face of adversity. Despite their differing focuses, both songs speak to the challenges of the human condition, making them fitting additions to this list of rock songs with ‘people’ in the title.

Read More: Top 10 John Mellencamp Songs

# 7 – Every Kinda People – Robert Palmer

Robert Palmer’s “Every Kinda People” is an enduring anthem celebrating diversity and unity. Originally released in March 1978 as the lead single from his album Double Fun, the song was written by Andy Fraser, best known as the bassist for the rock band Free. The track was produced by Robert Palmer and Bob Potter, and it features a mix of pop, rock, and reggae influences that create a distinctive and uplifting sound. Recorded at Compass Point Studios in the Bahamas, Double Fun marked a turning point for Palmer, showcasing his ability to blend genres while maintaining an accessible and engaging style.

“Every Kinda People” became Palmer’s first Top 40 hit in the United States, reaching number 16 on the Billboard Hot 100 and number 22 on the Adult Contemporary chart. In Canada, the song performed even better, peaking at number 12. The lyrics convey a powerful message about the importance of inclusion and understanding, with lines like “It takes every kind of people / To make what life’s about, yeah” emphasizing that everyone, regardless of background, has a role in making the world a better place. The song’s uplifting melody and Palmer’s soulful delivery make it a timeless celebration of humanity’s shared values.

In 1992, Palmer revisited “Every Kinda People” with a re-mixed version released on his compilation album Addictions: Volume 2. This version featured a more acoustic arrangement, with the original bass-heavy hook by Bob Babbitt replaced by an acoustic guitar figure, giving the song an “unplugged” feel that was popular at the time. The remix achieved considerable success, reaching number 8 on the US Billboard Adult Contemporary chart and outperforming the original in the UK, where it peaked at number 43. This re-imagined version demonstrated the song’s versatility and enduring appeal.

Lyrically, “Every Kinda People” promotes a message of unity and equality, with Palmer singing about the struggles and aspirations shared by people from all walks of life. The line “Whether yellow, black or white / Each and every man’s the same inside” underscores the idea that, despite our differences, we all have common desires and dreams. Compared to John Mellencamp’s “We Are The People,” which takes a more direct approach in addressing societal challenges and urging empathy, Palmer’s song focuses on celebrating the diversity of human experience and the need for acceptance. Both tracks share a commitment to highlighting the strength found in unity, making them fitting entries on this list of rock songs with ‘people’ in the title.

Read More: Top 10 Robert Palmer Songs

# 6 – People Got To Be Free – The Rascals

“People Got To Be Free” by The Rascals is an uplifting and passionate call for freedom, released during a time of great social upheaval in 1968. Written by Felix Cavaliere and Eddie Brigati, the track was recorded on May 14, 1968, and produced by The Rascals alongside Arif Mardin. It was released as a single on July 1, 1968, by Atlantic Records, and later appeared on their 1969 album Freedom Suite. With its blend of blue-eyed soul, rock, and pop influences, the song became a defining anthem of the era, spending five weeks at number one on the Billboard Hot 100 and reaching number 14 on the Billboard R&B Singles chart. It also topped the charts in Canada and reached number 11 in Australia, ultimately becoming a gold-certified hit by the RIAA in August 1968.

The song’s lyrics are a heartfelt plea for unity and equality, perfectly capturing the spirit of the 1960s civil rights movement. Lines like “All the world over, so easy to see / People everywhere just wanna be free” convey a simple yet powerful message that resonates with listeners. The chorus emphasizes the importance of freedom for all, while the song’s coda features Felix Cavaliere’s half-sung, half-spoken delivery, proclaiming that the “Train of Freedom” is “about to arrive any minute now”—a hopeful metaphor for the progress that was long overdue. The message of peace and solidarity, paired with the song’s upbeat and soulful arrangement, made “People Got To Be Free” an anthem for those advocating for social change.

Musically, “People Got To Be Free” showcases The Rascals’ signature sound, blending soulful vocals with an infectious groove. The instrumentation features Cavaliere on keyboards and lead vocals, Dino Danelli on drums, Gene Cornish on guitar, and Eddie Brigati on percussion and backing vocals. The band’s cohesive sound, combined with the production work of Arif Mardin, gives the track a polished yet impassioned feel. The Rascals’ performance of the song during their 2013 “Once Upon a Dream” show, accompanied by footage of 1960s civil rights marches, further underscored the song’s enduring relevance and emotional impact.

In comparison to other songs on this list, such as Robert Palmer’s “Every Kinda People,” which emphasizes the importance of acceptance and diversity, “People Got To Be Free” takes a more direct approach in advocating for social justice and freedom. Both tracks share a common theme of unity, but The Rascals’ song is more explicitly tied to the civil rights movement and the broader struggle for equality. Its anthemic quality and the urgency of its message make it a powerful addition to this list of rock songs with ‘people’ in the title, standing as a testament to the transformative power of music during times of social change.

Read More: Complete List Of The Rascals / Young Rascals Albums And Songs

# 5 – Everyday People – Sly & The Family Stone

Sly & The Family Stone’s “Everyday People” is a timeless anthem of equality and unity, written by Sly Stone and released in late 1968. It was the first single by the band to reach number one on both the U.S. Billboard Hot 100 and the Soul singles chart, holding the top spot on the Hot 100 for four weeks from February 9 to March 8, 1969. Produced by Sly Stone himself, the song was recorded in San Francisco and became one of the most iconic tracks of the 1960s, capturing the essence of the counterculture movement and the desire for social harmony. Billboard ranked it as the No. 5 song of 1969, and its message remains as relevant today as it was during its original release.

The song features the classic lineup of Sly & The Family Stone, including Sly Stone on vocals and keyboards, Freddie Stone on guitar, Larry Graham on bass, Rose Stone on vocals and piano, Cynthia Robinson on trumpet, Jerry Martini on saxophone, and Greg Errico on drums. This diverse group of musicians, each contributing their unique talents, was instrumental in creating the distinctive sound of the band—a fusion of funk, rock, soul, and pop that appealed to a wide audience. “Everyday People” exemplifies this blend, with its infectious groove, upbeat tempo, and sing-along chorus, making it an enduring classic that continues to inspire listeners.

Lyrically, “Everyday People” is a call for acceptance and understanding, promoting the idea that despite our differences, we are all fundamentally the same. Lines like “I am no better and neither are you / We’re all the same, whatever we do” emphasize the importance of equality and the need to look past superficial differences. The phrase “Different strokes for different folks” became a cultural catchphrase, encapsulating the song’s core message of tolerance. Sly Stone’s lyrics also address various social divisions—such as race, appearance, and socioeconomic status—and highlight the absurdity of these prejudices. The repetition of “scooby-dooby-dooby” adds a playful element, making the serious message more accessible and memorable.

Compared to other songs on this list, such as The Rascals’ “People Got To Be Free,” which also advocates for social justice and unity, “Everyday People” takes a more laid-back, inclusive approach, using its catchy melody and relatable lyrics to convey its message. While “People Got To Be Free” has a more urgent and impassioned tone, “Everyday People” embraces a sense of joy and optimism, emphasizing that unity is achievable if we can simply accept one another. Both songs reflect the spirit of the 1960s and the desire for change, making them powerful additions to this collection of rock songs with ‘people’ in the title.

Read More: Top 10 Sly And The Family Stone Songs

# 4 – People Are Strange – The Doors

“People Are Strange” by The Doors is a haunting exploration of alienation and disconnection, featured on their second studio album, Strange Days, released in September 1967. The song was penned by Jim Morrison and Robby Krieger, with all members of The Doors receiving credit on the album sleeve. Released as a single with “Unhappy Girl” as the B-side, the track peaked at number 12 on the Billboard Hot 100, becoming one of the band’s memorable hits. Produced by Paul A. Rothchild, the recording took place at Sunset Sound Recorders in Hollywood, California, and showcases The Doors’ ability to create atmospheric music that captures the mood of the lyrics.

The band lineup for this track consists of Jim Morrison on lead vocals, Robby Krieger on guitar, Ray Manzarek on keyboards, and John Densmore on drums. The song’s eerie, carnival-like quality is largely due to Manzarek’s use of the Vox Continental organ, which gives the track its distinctive sound. Morrison’s vocal delivery adds to the haunting nature of the song, perfectly conveying the sense of disorientation and estrangement described in the lyrics. According to drummer John Densmore, the song was written during a time when Morrison was feeling deeply depressed, but after a walk with Krieger through Laurel Canyon, he returned with a renewed sense of creativity and the early lyrics for “People Are Strange.” This creative process highlights the band’s collaborative dynamic and Morrison’s ability to channel his emotions into his songwriting.

Lyrically, “People Are Strange” delves into the feelings of being an outsider, emphasizing how perceptions of the world can change when one feels isolated. The lyrics—”People are strange when you’re a stranger / Faces look ugly when you’re alone”—reflect a mood of loneliness and alienation, which resonated with many listeners during the late 1960s, a time of social upheaval and a quest for individual identity. The repeated refrain, “When you’re strange / No one remembers your name,” underscores the idea of feeling invisible and disconnected from society. The song’s introspective nature makes it a compelling commentary on the human condition, particularly the experience of being different or feeling out of place.

Compared to other songs on this list, such as Sly & The Family Stone’s “Everyday People,” which promotes inclusivity and celebrates diversity, “People Are Strange” takes a more introspective and darker approach. While “Everyday People” encourages unity and acceptance, “People Are Strange” captures the sense of being on the outside looking in, providing a contrasting perspective on the human experience. Both songs, however, highlight the complexities of social interactions and the impact of perception on one’s sense of belonging, making them fitting additions to this collection of rock songs with ‘people’ in the title.

Read More: The Doors Most Underrated Songs

# 3 – Short People – Randy Newman

Randy Newman’s “Short People” is a satirical take on prejudice, released in 1977 on his album Little Criminals. The song became a significant commercial success, reaching number 2 on the Billboard Hot 100 for three weeks, kept from the top spot by Player’s “Baby Come Back” and the Bee Gees’ “Stayin’ Alive.” The track, produced by Lenny Waronker and Russ Titelman, features a catchy pop piano line in A major, accompanied by bass, drums, and a small brass section, with Los Angeles-based session musician Milt Holland on conga drums. Despite its success, Newman grew to dislike the song, as it was widely misunderstood, with some listeners taking the lyrics at face value rather than recognizing the intended satire.

“Short People” uses exaggerated and comical descriptions to make its point, with verses like “Short people got no reason to live / They got little hands and little eyes / And they walk around tellin’ great big lies.” These lyrics are meant to be absurd, highlighting the irrationality of prejudice. Newman wrote the song from the perspective of an unreliable narrator, much like other songs in his catalog, such as “Rednecks.” The chorus shifts tone slightly, reminding listeners that “Short people are just the same as you and I,” emphasizing the message that all people are equal, regardless of differences. However, the satire was lost on many, and Newman received threats and criticism for what was perceived as an offensive message.

The song’s popularity as a novelty hit made it both a blessing and a burden for Newman. He described its success as a “bad break,” stating that he never intended it to be taken seriously and was surprised by the backlash. Despite his personal dislike for the song, it was included on many of his greatest hits compilations, underscoring its lasting impact on his career. In comparison to songs like The Rascals’ “People Got To Be Free,” which advocates for social justice and unity, “Short People” approaches the topic of prejudice with biting humor and irony. While “People Got To Be Free” is a direct plea for tolerance, Newman’s song uses satire to expose the absurdity of bigotry, offering a different, yet equally impactful commentary on societal attitudes.

Read More: Top 10 Randy Newman Songs

# 2 – Lonely People – America

“Lonely People” by America is a hopeful anthem written by Dan Peek and his wife Catherine Peek, released as the second single from their 1974 album Holiday. The song became a significant hit, reaching number five on the Billboard Hot 100 and becoming America’s second number one on the Easy Listening chart in February 1975. Produced by legendary Beatles producer George Martin, the track was recorded at AIR Studios in London, which provided the album with a polished, radio-friendly sound. The collaboration with Martin marked a turning point for America, helping them refine their style and reach a broader audience.

Musically, “Lonely People” features Dan Peek on lead vocals and guitar, Dewey Bunnell on guitar, Gerry Beckley on piano and backing vocals, and Willie Leacox on drums. The song’s arrangement is characterized by its uplifting melody and the prominent use of piano, which gives it a warm, inviting feel. The production quality, guided by George Martin, adds a layer of sophistication, enhancing the emotional impact of the song. The lyrics convey a message of perseverance and hope, advising all the lonely people to “Don’t give up until you drink from the silver cup.” Peek explained that the “silver cup” is a metaphor for drawing on the experiences of others and finding strength in shared humanity.

“Lonely People” was written as a response to The Beatles’ “Eleanor Rigby,” which Dan Peek described as an overwhelming depiction of loneliness and lost humanity. In contrast, “Lonely People” offers an optimistic outlook, encouraging those who feel isolated not to give up on life or love. The lyrics, such as “Thinkin’ that life has passed them by / Don’t give up until you drink from the silver cup,” emphasize the importance of hope and resilience. Compared to other songs on this list, such as The Doors’ “People Are Strange,” which explores themes of alienation and disconnection, “Lonely People” takes a more uplifting approach, offering a comforting message to those who feel alone. Both songs address the human experience of loneliness, but America’s track provides a sense of hope and the promise of better days ahead, making it a fitting addition to this collection of rock songs with ‘people’ in the title.

Read More: America’s Best Song On Each Of Their Studio Albums

# 1 – People Get Ready – Jeff Beck & Rod Stewart

“People Get Ready” is a powerful collaboration between guitarist Jeff Beck and vocalist Rod Stewart, recorded in 1985 for Beck’s album Flash. Originally written by Curtis Mayfield and first recorded by The Impressions in 1965, this version retains the song’s soulful essence while adding a rock edge through Beck’s signature guitar work. Produced by Jeff Beck and Arthur Baker, the track was recorded in London and showcases the chemistry between Beck and Stewart, who had previously worked together in the Jeff Beck Group during the late 1960s. Their reunion on “People Get Ready” became one of the most memorable moments on Flash, blending blues, rock, and gospel influences.

Jeff Beck’s guitar playing on this track is nothing short of masterful, providing a melodic and emotional backdrop to Stewart’s heartfelt vocals. The song features Beck on electric guitar, Stewart on lead vocals, Tony Hymas on keyboards, and Carmine Appice on drums. The interplay between Beck’s expressive guitar lines and Stewart’s soulful delivery elevates the track, capturing the spirit of Mayfield’s original while infusing it with a fresh energy. The production by Arthur Baker adds a polished touch, ensuring that the song’s message of hope and resilience resonates with a contemporary audience.

Lyrically, “People Get Ready” is a call for unity and spiritual readiness, urging listeners to prepare for better days ahead. The lyrics—”People get ready, there’s a train a-comin’ / You don’t need no baggage, you just get on board”—use the metaphor of a train to symbolize salvation and hope. This theme of faith and redemption aligns with the optimistic message found in America’s “Lonely People,” which also encourages perseverance and belief in a brighter future. While “Lonely People” offers comfort to those feeling isolated, “People Get Ready” speaks to a broader audience, inviting everyone to join in the journey toward a better tomorrow. The collaboration between Beck and Stewart brings a new dimension to the song, making it a standout entry in this list of rock songs with ‘people’ in the title.

Read More: Top 10 Jeff Beck Songs

Read More: Top 10 Rod Stewart Songs

10 Best Rock Songs With The Word ‘People’ In The Titlearticle published on Classic RockHistory.com© 2024